How did you discover boogie woogie music?
It happened when I was 15 years old. I had by that time been playing rock ‘n’ roll like Jerry Lee Lewis for about 3 years and suddenly one day I felt like I wanted more, desired more of a challenge. So I started looking for some music like rock ‘n’ roll where you had the left hand doing a steady rhythm and the right hand improvising – it just had to be out there somewhere! And one day, I found it. The first boogie woogie music I heard was a 30 second clip from Albert Ammons’ Boogie Woogie Stomp – and I was blown away. I immediately knew that I had found my new musical path.
Do you remember which boogie woogie sheet music books you used?
Hmm.. Very interesting question.. I started out by finding a few tunes on the internet; Pinetop’s Boogie Woogie etc. and scans of old sheet music books from the 50’s of inadequate quality. Aside from that, I didn’t use any sheet music books, only my ears and listening to every boogie woogie record I could find. Initially, I listened to Ammons, Johnson & Lewis, but later I found Axel Zwingenberger, who became and remains my big idol. Though the three old masters will always remain present in my conscience.
How did you secure your first gig?
My first gig was on 7th February 2009. I was invited to play a warm-up concert by the blues club “B’Sharp” in Silkeborg, Denmark, playing before American bluesguitarist Sherman Robertson. The club had a project where they wanted to expose Danish, young, upcoming blues artists and offer them a chance to play in front of a live audience.
Do you have any ‘boogie woogie dreams’ you will be pursuing in the future?
Oh, definitely. I’ll be arranging some duet concerts with two pianists in Denmark. If the first concert with Silvan is successful, it’ll be followed by more concerts with other pianists as well and hopefully it’ll result in a Danish Boogie Woogie Festival!
In addition, I’m thinking of starting a transcribing group with two friends, where we sit down and transcribe all sorts of boogie tunes, both old and new. If the quality is good enough, we might publish them.
And of course, I’ll keep on working on learning new tunes!